🔗 Share this article Film Analysis: Band Frontman Jason Williamson Assumes Role in Critical Examination at Ecstasy Generation Era Produced by Bristol sound co-founder the musician-producer, this scabrous if undernourished debut feature turns a sceptical eye on 90s rave culture. Venal pillhead David (the actor) initially steals from an unconscious dealer, then in another flashback tries to break into his own family home. In no time, he's overturned in the remains of his car in a woodland – and subject to the wrathful eye of the Woodsman (Sleaford Mods frontman Jason Williamson). Refusing to extricate David, with no time for townies, he is broken Britain personified: “You’re one of those noisy cunts from up on the heath.” A Shaky Start and Grimly Amusing Confrontation Game gets off to a shaky start, lingering excessively on meticulously detailing David’s attempt to free himself from his seatbelt, while clumsily segueing into past scenes of his everyday life. The central theme – that the rave-era youth were mainly focused on themselves – is firmly made. But these brief episodes are insufficiently developed to adequately prepare us for what to expect when the Woodsman turns up, fuming after David kills his dog. Still, a grimly amusing duel takes hold – David eager to get away; the Poacher denying his container of scrumpy, determined to soaking him instead in resentful talk. Williamson, projecting heavy threat in the role, is reminiscent of Michael Smiley. Visual Flair and Music Video Vibe There is only one important plot development, but it results in a hilariously staged chaotic run on the forest trails that dips close to rural terror. Filmmaker John Minton finally gets to go all in with his ostentatious visuals: where he was focused intently doing artful shots of bugs in headlights in the opening part, he now goes all out with the full psychedelic 21-gun salute, accompanied by a wild organ version of Ravel’s Boléro. The movie resembles an extended promo than a fully fledged drama, but there’s enough strident imagery to suggest that Minton could follow Jonathan Glazer, Garth Jennings and others into making the leap from the UK video industry. The film releases in UK and Irish theaters from 17 November.